ABOUT
My work emerges through data, light, and sound, combining code, installation, and sculpture to explore the layered intersections of queerness, identity, and place. I engagewith computational processes not just as tools, but as poetic machines: metaphors for forces that shape experience.


A central concept in my work is the idea of the sub-grid, inspired by computational models in physical simulations. In these systems, the sub-grid represents phenomena occurring at scales too small to be captured by the simulation's resolution, yet whose impacts reverberate throughout the larger structure. My art explores this interstitial space, revealing the subtleties and complexities that drive transformation in both personal and collective contexts.


Through my work, I invite viewers to inhabit these spaces, to contemplate how systems—both societal and computational—mediate our experiences, and to imagine new ways of being and belonging that embrace the generative power of the unresolved. 


My practice draws on my experiences and training in the fields of art, music, and engineering. I received a PhD in Media Arts & Technology from the University of California Santa Barbara, a Master of Music from Rice University, and a Bachelor of Music from Lawrence University’s Conservatory of Music. Currently, I am an Assistant Professor of Art at the University of Puget Sound in Tacoma, WA.


Contact me here